•demonstrate an awareness of and a critical engagement with key theories and debates relating to post-war European cinema; •show evidence of reading, viewing and research beyond material given, including use of the extensive with all european cinema''s, such as, Italian Neo-Realism Ingmar Bergman The French Nouvelle Vague New German Cinema French Heritage Cinema French Popular Cinema Contemporary Spanish Cinema Nordic Cinema and Dogme 95 French Cinema of the Margins Post-Soviet Cinemas Pan-European Cinemas •engage critically with appropriate source materials (and please note that sources like Wikipedia are NOT appropriate in the context of degree-level study) •have a well-planned and carefully structured argument; •have a good standard of spelling, punctuation, and grammar.